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CONvergence is a 4-day convention held annually for fans of science fiction and fantasy, with nearly round-the-clock entertainment. The event is held in Minnesota at the Hyatt Regency Minneapolis, and in 2025 the convention will take place from July 3 – 6.

Local and national guests will be announced soon. Expect three floors of room parties, panels, musical and spoken word performances, a masquerade costume contest, movie and anime rooms, gaming, a dealers’ room and an art show, among other activities.

To register and keep track of updates, visit the official website.

No matter the time of year (it doesn’t have to be Halloween), I’m always up for a good ghost story (books or movies). I’ve loved them since I was a small child, when my grandmother would entertain me with “real tales” of terror during her visits.

Below is a list of my favorite ghost story films of the last century. (I’ve managed to narrow it down to thirteen, oldest to newest.)

Here they are:

THE UNINVITED (1944) – Directed by Lewis Allen; based on the 1941 novel by Dorothy Macardle; starring Ray Milland, Gail Russell, Ruth Hussey

This black and white movie was based on Dorothy Macardle’s novel, and tells the story of a composer and his sister who fall in love with a beautiful English seacoast mansion called Windward House. They soon find out why it sold for such a reasonable price: the house and the cliff side property are haunted by two entities – one benevolent, one malignant. Eventually they discover the truth about the long ago tragedy involving a love triangle that ended badly for all concerned. (But…when do love triangles ever have a happy ending?) I like the fact that there’s more than one decent plot twist in this old-fashioned story, and some genuinely eerie moments to enjoy.

THE HAUNTING (1963) – Directed by Robert Wise; based on the 1959 horror novel by Shirley Jackson; starring Julie Harris, Richard Johnson and Claire Bloom

Based on the excellent novel by Shirley Jackson – The Haunting of Hill House – this creepy black and white film is about a team of paranormal investigators who decide to “conquer” Hill House, infamous for its lurid past of violent deaths and insanity. Unlike the book, which Jackson considered to be purely supernatural, the screenwriter decided to also turn it into a psychological horror flick, playing up the vulnerable female character’s mental instability.  Needless to say, all hell breaks loose on the team and the consequences are disastrous.

THE SHINING (1980) – Directed by Stanley Kubrick; based on the 1977 horror novel by Stephen King; starring Jack Nicholson, Shelley Duvall, Scatman Crothers

Stephen King made it known that he hated this movie version, unfaithful to his novel of the same name, and he eventually had it turned into a TV mini-series (1997), which he approved. He thought Jack’s performance was over the top, and he disliked Shelley’s wimpish portrayal of her character. Oh, well. It’s scary fun, in my opinion (although I also liked the TV version). You probably already know this story well: A couple, John (“Jack”) and Wendy Torrance, and their young, psychic son, move to an isolated hotel (The Overlook) in the Rockies, where they must spend the entire winter. The alcoholic dad has the job of caretaker, and he soon falls under the influence of the evil entities haunting the huge place. I love the twin girls – and the “lady” in the tub. The scene where the young, psychic Danny encounters her in Room 217 gives me chills to this day.

THE CHANGELING (1980) – Directed by Peter Medak; starring George C. Scott, Melvyn Douglas, Trish Van Devere

Classical composer John Russell relocates from NYC to Seattle, trying to get over the sudden death of his wife and young daughter in a car accident. His new friend, Claire, talks him into renting a monstrously huge mansion, and it doesn’t take long for John to realize he’s not alone in the house. To quote writer M.R. James, I felt “pleasantly uncomfortable” pretty much all the way through this film. I also felt moved to tears on occasion, not just from the grief displayed by John due to the loss of his family, but by the terrible secret he uncovers about the child entity that haunts the mansion. Spooky stuff. (Incidentally, the screenplay is based upon events that writer Russell Hunter claimed he experienced while he was living in the Henry Treat Rogers mansion in the Cheesman Park neighborhood of Denver, Colorado in the late 1960s.)

GHOST STORY (1981) – Directed by John Irvin; based on the 1979 horror novel by Peter Straub; starring Fred Astaire, John Houseman, Douglas Fairbanks, Jr., Melvyn Douglas, Alice Krige

Four elderly, successful gentlemen (Ricky, Ed, John, Sears) have a private club they call “The Chowder Society” – they meet every week to tell horror stories. For fifty years, they’ve also shared a horrible secret. When they were young, they were all in love with a beautiful, mysterious woman named Alma. A tragedy unfolded, and now they must pay the price. Alma: “I will show you things you’ve never seen, take you places you’ve never been. And I will see the life run out of you.”

POLTERGEIST (1982) – Directed by Tobe Hooper and written by Steven Spielberg; starring Craig T. Nelson, JoBeth Williams, Heather O’Rourke

I never get tired of this one. A subdivision was built over top of a cemetery, and the unscrupulous businessmen didn’t bother to move the bodies. Tsk, tsk. The Freelings must be punished first, apparently, and things really get serious when their young daughter is “ghost-napped.” Good scares (I really hate clowns), and I also appreciate the humor throughout the flick. “They’re heeeee-re.”

LADY IN WHITE (1988) – Directed and written by Frank LaLoggia; starring Lukas Haas, Len Cariou, Alex Rocco, Katherine Helmond

The first time I watched this movie, I was haunted by it for days afterward. Horror writer Frank Scarlatti returns to his hometown and remembers the extraordinary events that occurred when he was nine years old in the fall of 1962. It all starts when Frankie is locked in his school’s cloakroom after hours on Halloween night by bullies. He sees the apparition of a little red-haired girl as she’s attacked. Later that night, the masked man who attacked her shows up looking for something in the cloakroom and tries to get rid of Frankie by choking him, but he’s interrupted and flees. The janitor is wrongfully accused. Frankie soon learns there have been eleven children attacked in the area by a mysterious killer. The little red-haired girl, Melissa Montgomery, was the first, and her grief-stricken mother (the Lady in White) jumped off the cliff where her body was found. Frankie knows the spirit of Melissa will lead him to the truth.

THE OTHERS (2001) – Directed by Alejandro Amenabar; based on the 1898 horror novella by Henry James; starring Nicole Kidman, Chris Eccleston, Fionnula Flanagan

Inspired by Henry James’ novella, The Turn of the Screw, this movie entertained me all the way through and was genuinely creepy and intriguing. A devout Catholic woman, Grace, lives with her two young children on an isolated estate located on the Isle of Jersey. WWII has just ended and Grace is waiting on the return of her husband, Charles. She’s under a lot of stress – she’s lonely and must take care of her son Nick and her daughter Anna, who are both severely allergic to the sun. With the arrival of three servants (Bertha, Ed and Lydia), she thinks things will get better, but mysterious things begin to happen right away. Grace thinks the house is haunted, or perhaps she is going insane. I definitely won’t give away the big twist at the end.

THE GRUDGE (2004) – Directed by Takashi Shimizu; starring Sarah Michelle Gellar, Jason Behr, Will Mapother, Bill Pullman

This movie is a remake of the Japanese film, Ju-On, which is also worth seeing. Until this flick was released, I hadn’t seen a lot of Japanese-inspired horror. I was completely creeped out by the look and feel of the ghosts and the jerky camera-work. Lots of eerie moments and there were many scenes that had me jumping in my seat. Set in Tokyo, the story is about an exchange student named Karen who is studying to be a social worker. She offers to take over for a nurse who didn’t show up for work, and proceeds to care for an elderly woman in a house that turns out to be haunted. And wow – is it ever haunted! (What did I say earlier about love triangles and tragedy and revenge?) In this case, the grudge is also a curse that passes on to different people. I enjoyed it – and not just because I have a girlie crush on Sarah Michelle Gellar.

THE MARSH (2006) – Directed by Jordan Barker; starring Gabrielle Anwar, Forest Whitaker

Claire Holloway is a stressed out children’s writer who’s afraid she’s about to have a mental breakdown. She decides to take a vacation in the country, and when she notices an ad for Rose Marsh Farm, which strongly resembles the place she’s been seeing in her nightmares, she feels compelled to visit the property. Claire almost immediately senses something amiss with the old house, and when she begins seeing the troubled spirits of a little girl and a teenage boy around the nearby marsh, she contacts a paranormal expert to help her solve the mystery.

THE ORPHANAGE (2007 – Spanish, with English subtitles) – Directed by J.A. Bayona; starring Belen Rueda, Fernando Cayo, Roger Princep

Made in Spain (El Orfanato), this movie not only creeped me out, the ending moved me to tears. It was so much better than I was expecting, mixing chills with a compelling plot. Laura, a former orphan, buys the old orphanage where she once lived for a while as a child, planning to turn it into a facility for disabled kids. She brings her husband and young adopted son, Simon, there, and soon Simon tells her he has made friends with the spirits of five children who are trapped there. The ghost children tell Simon that he is adopted and that he will die soon. Not long after that, Simon disappears. Laura is determined to find her son and unravel the terrible secret that has been hidden at the orphanage for thirty years.

INSIDIOUS (2011) – Directed by James Wan; starring Patrick Wilson, Rose Byrne, Barbara Hershey, Lin Shaye, Ty Simpkins

I was a little upset by the ending when I first saw this movie, since I didn’t realize James Wan planned to continue the story with several sequels. I liked the original anyway, however, since it had many spooky moments that made me squirm in my seat. Renai and Josh Lambert move into their dream house with their sons, Dalton and Foster, and their baby daughter. One morning they find Dalton in a comatose state, and realize he’s become a vessel for the ghosts who reside in an astral dimension. Apparently, Dalton has inherited his father’s ability to astral project during sleep. Only this time, the boy has become stranded in the astral plane known as “The Further.” Dalton is guarded by a red-faced demon, and many other tormented souls who are determined to escape – including the “shadow woman” who once haunted his father.

THE WOMAN IN BLACK (2012) – directed by James Watkins; based on the 1983 Gothic novel by Susan Hill; starring Daniel Radcliffe, Ciarán Hinds

Arthur Kipps (Radcliffe) is a widowed barrister striving to make ends meet and raise his young son. Still grieving the loss of his wife, he agrees to leave London and travel to a remote village to put a recently deceased client’s affairs in order. Her estate is located on a small island and Kipps must travel to and from the village, on occasion being cut off by the rising tides and left alone and isolated.

Strange tragedies begin to occur, and it becomes clear that everyone is hiding a terrible secret from him. Kipps is told that the client’s decaying mansion is haunted by the spirit of a woman who suffered a great loss and betrayal – and no one, not even the children, will escape her wrath.

Many goosebump-inducing moments. This one would make my Top 5 favorites list. And so would the book.

The first horror novel I read, at the age of nine or ten, was Dracula by Bram Stoker. Ever since then, I’ve always had a soft spot for creatures with fangs. What follows is my list of 13 vampire films I highly recommend.

LET’S SCARE JESSICA TO DEATH (1971) – Directed by John D. Hancock (shares writing credit with Lee Kalcheim); starring Zohra Lampert, Barton Heyman, Mariclare Costello

Jessica (Zohra Lampert) has recently been released from a mental institution after suffering a nervous breakdown, and her husband decides she needs a change of scenery away from the hectic city. They move to a supposedly haunted country farmhouse near a remote little town, and right away Jess notices odd things about the locals, and she begins to experience unusual encounters. Is it all in her mind?

At first, this movie appears to mix genres and has a surreal feel. I enjoyed the eerie moments. Viewers have to decide for themselves if Jessica lost her grip on her sanity once again, or if the monsters were real.

DRACULA (1979) – Directed by John Badham; starring Frank Langella, Sir Laurence Olivier, Donald Pleasence, Kate Nelligan

This version differs greatly from Bram Stoker’s novel. It’s 1913, and an ailing Mina Van Helsing witnesses a shipwreck off the English coast. She finds a lone survivor washed up on the shore and he is none other than Count Dracula of Transylvania, come to take possession of Carfax Manor. Soon, Mina succumbs to her illness, but with other strange symptoms. Her best friend Lucy (Kate Nelligan) is distraught and notifies Mina’s father, Professor Abraham Van Helsing (Olivier), who rushes to England. In the meantime, Lucy begins to fall under the spell of the enigmatic Count.

I would say Frank Langella is one of my favorite actors to play Dracula on the big screen. He first appears on the scene like a rock star, with charm and swagger – sensual and sinister at the same time. The ending of the film is different in this version as well. It made me hope that the Count could have survived after all.

THE HUNGER (1983) – Directed by Tony Scott; starring Catherine Deneuve, David Bowie, Susan Sarandon

This erotic horror film involves a love triangle and immortality – with a catch. John (Bowie) is the long-time lover of the beautiful vampire Miriam (Deneuve), his sire. He believes he’ll also live forever, but Miriam has kept the truth hidden. Her “offspring” will never share all of her gifts – and what awaits them is a fate worse than death. John begins to deteriorate and becomes desperate when Miriam seeks out a new companion. She finds Sarah (Sarandon), who becomes quite unhappy when she discovers the plans that Miriam has for her.

This unconventional vampire movie was panned by critics and stalled at the box office. I like it anyway, perhaps because I always believed that David Bowie could do no wrong. I also enjoyed the soundtrack quite a bit.

FRIGHT NIGHT (1985) – Directed by Tom Holland; starring William Ragsdale, Chris Sarandon, Roddy McDowall, Amanda Bearse

Don’t judge me, but I still love this movie – and for a moment I was offended when I heard they were filming a remake (I changed my mind about that – see below).

In the beginning, Charley Brewster (Ragsdale) is a horror-loving teen whose greatest concern is getting his skittish girlfriend (Bearse) to go all the way. But then he discovers that Jerry Dandridge – the handsome new neighbor who’s charmed his mother – is actually a murderous vampire (Sarandon – wasn’t he married to Susan at some point?). When his mother and his friends refuse to believe him, he tries to enlist the aid of TV’s Fright Night host and former “vampire hunter” Peter Vincent (McDowall). Of course, Vincent is also disinclined to believe Charley’s claims, and the teen realizes it’s all up to him to stop Dandridge.

The humor, the plot and the excellent cast are what make this movie fun for me. (The Evil Ed character is a fave, played with glee by Stephen Geoffreys.)

NEAR DARK (1987) – Directed by Kathryn Bigelow; starring Adrian Pasdar, Jenny Wright, Lance Henriksen, Bill Paxton

When he falls in love with a pretty girl he meets at a bar, happy-go-lucky cowboy Caleb Colton (Pasdar) complicates his life in an unexpected way. Mae turns out to be a vampire looking for a forever companion, and she wastes no time putting the bite on Caleb. He realizes that to keep his family safe from his blood cravings, he has no choice but to join his girlfriend’s wandering band of vampires – who wreak havoc wherever they go.

I never get tired of watching this flick either. It’s worth seeing just for Bill Paxton’s performance as the evil, batshit crazy Severen.

THE LOST BOYS (1987) – Directed by Joel Schumacher; starring Jason Patric, Keifer Sutherland, Corey Haim, Corey Feldman, Jami Gertz, Dianne Wiest

After their parents are divorced, teens Michael (Patric) and Sam (Haim) move with their mother to Santa Carla, California. Michael soon falls for a beautiful, mysterious local girl named Star (Gertz), who has a dark secret, and Sam befriends the Frogs, a pair of comic-book nerds who claim their town is infested with vampires. Things get crazy when Michael goes head to head with a gang of vampires led by David (Sutherland), who has Star in bloodthirsty transition and under his thrall. Michael has to rely on Sam and the Frog Brothers to rescue both him and his girlfriend.

This flick is on my list of Top Five favorite vampire movies. It’s another one I never get tired of seeing. (And yeah, I’ll admit – I still listen to the soundtrack these days.)

BRAM STOKER’S DRACULA (1992) – Directed by Francis Ford Coppola; starring Winona Ryder, Gary Oldman, Anthony Hopkins, Keanu Reeves

Coppola’s blood-soaked vision of a gothic romance, this version is sensuous, surreal at times, and blessed with the uniquely dichotomous performance of Gary Oldman as Vlad the Impaler. (Depending on the scene, Oldman is either sexy or repulsive.)

The setting and time period is in line with Stoker’s novel. Vlad is a 15^th century Transylvanian prince who, having lost his lovely young wife to suicide, has been cursed to live forever off the blood of humans due to his loss of faith. Jonathan Harker (Reeves) is a lawyer from London who is sent to Dracula’s remote castle to handle a real estate transaction. When the Count happens to see a photo of Harker’s fiancée, Mina Murray (Ryder) – who is the spitting image of his late wife – he imprisons Harker and sets off to England to find Mina, who he believes is the reincarnation of his lost love.

In London, we are introduced to vampire hunter Abraham Van Helsing (Hopkins), who is quite delightful. (Thank goodness he was around to lighten the mood with the film’s only intentionally humorous scenes.) And of course, Mina’s best friend, Lucy (Sadie Frost), is on hand to give an over the top performance that I rather enjoyed.

I’m still not sure how I feel about the ending. I think I would have preferred a more traditional one, to be honest, but I knew going in that this movie would be anything but conventional.

INTERVIEW WITH A VAMPIRE (1994) – Directed by Neil Jordan; starring Brad Pitt, Tom Cruise, Kirsten Dunst, Antonio Banderas, Christian Slater

Based upon the novel by Anne Rice, who also wrote the screenplay, this gothic horror tale centers on two eighteenth century vampires, Louis de Pointe du Lac (Pitt) and his sire, Lestat de Lioncourt (Cruise). It begins in present day San Francisco with a melancholy Louis pouring his heart out to a reporter (Slater), recounting the story of his life, death and rebirth – and all the guilt and betrayals that followed.

Anne Rice fans (including me) had high expectations about this film. When it was announced that Tom Cruise had accepted the role of the blond “Brat Prince” Lestat, Anne and the majority of her readers (including me) were greatly disappointed and loudly voiced their displeasure. But when the movie was released, even the author admitted she had been wrong. Cruise did the part justice.

And wow – child actress Kirsten Dunst nailed the character of Claudia and stole nearly every scene she was in.

It’s not perfect, but I believe the film does the book justice as well – being sensual, mesmerizing, darkly humorous and frightening.

BLADE (1998) – Directed by Stephen Norrington; starring Wesley Snipes, Stephen Dorff, Kris Kristopherson

I suppose you could call this a superhero horror film. It’s based on the Marvel Comics of the same name, which I have never read. The plot captured my interest right away. Blade, played by Snipes, is half-human and half-vampire, having a vampire’s strengths without any of their weaknesses. His mother was attacked by a vampire while she was pregnant with him, and Blade is out to avenge her death and rid the world of evil vamps – aided by his mentor Abraham Whistler (Kristopherson). In the meantime, one of the evil vamps, Deacon Frost, has a plan to bring about the Blood Tide – a ritual that will turn every human into a vampire.

This is one of those flicks I can’t resist watching whenever I find it on a cable channel.

LET THE RIGHT ONE IN (2008) – Directed by Tomas Alfredson; starring Kåre Hedebrant, Lina Leandersson

Also on my Top Five favorites list, this Swedish horror film (with English subtitles) is unique and far superior to the American remake. Details about this character-driven story lingered on my mind for days.

Based on the novel by John Ajvide Lindqvist, who also wrote the screenplay, the movie held my interest from the start. Twelve-year-old Oskar feels neglected by his mother and is bullied at school. When a girl his age moves into his apartment building, who also seems to be a misfit, they quickly strike up a friendship. But her appearance in his town coincides with a series of grisly murders in the area, and Oskar comes to realize that Eli is no ordinary girl. She confesses, “I’ve been twelve for a very long time.”

FRIGHT NIGHT (Remake, 2011) – Directed by Craig Gillespie; starring Anton Yelchin, Colin Farrell, David Tennant, Toni Collette, Imogen Poots

I wasn’t impressed with the idea of a remake, and the only reason I went to see the movie was to see David Tennant on the big screen (he had recently given up his role as the tenth Doctor Who, and I already missed him). I didn’t think Colin Farrell was a good casting choice, either, but I changed my mind about that. Farrell proved to be charismatic, oozing a menacing sort of sex appeal. (And I loved the cameo by Chris Sarandon – the original Jerry Dandridge.)

Anton Yelchin is excellent and adorable as Charley Brewster (but not as adorable as he is playing Chekov in the new Star Trek franchise). I still can’t believe a freak accident took him away from us at such a young age.

And Tennant didn’t disappoint me in his role as Peter Vincent. A little over the top at times, but the movie didn’t suffer for it. Besides, the remake is set in Sin City. Everything is over the top in Las Vegas.

I thought the screenwriter, Marti Noxon of Buffy the Vampire Slayer fame, did an awesome job of blending the old version with the new.

ONLY LOVERS LEFT ALIVE (2013) – Directed by Jim Jarmusch; starring Tom Hiddleston, Tilda Swinton, Mia Wasikowska, Anton Yelchin

As it begins, Adam and Eve (Hiddleston and Swinton) – two vampires who’ve been married for centuries – are now living on opposite sides of the planet. Adam, who lives in a Victorian home in Detroit, is a famous musician who fears exposure and is becoming more and more reclusive. Eve is hanging out in Tangier. They both fear contaminated human blood in the twenty-first century, and so must rely on other ways to obtain their food.

Adam becomes so despondent that he contemplates suicide, and has his devoted fan, Ian (Yelchin), procure a wooden bullet for him. When Eve realizes how depressed he’s become, she comes to Detroit to comfort him, and they resume their relationship. But the unexpected arrival of Eve’s younger, out-of-control sister Ava (Wasikowska) causes their lives to become far more  dangerously complicated.

A little artsy and off-beat, I enjoyed it because it was much different than I expected – and I’m a huge Hiddleston fan (Team Loki!).

30 DAYS OF NIGHT (2007) – Directed by David Slade; starring Josh Hartnett, Melissa George, Danny Huston, Ben Foster

Based on the horror comic book miniseries by Steve Niles, this vampire flick has a clever premise and is quite suspenseful. I can’t say if it stays faithful to Niles’ series, not having read those three issues, but I enjoyed the hell out of it.

As Barrow, Alaska enters into a 30-day long polar night, the town is besieged by a nomadic gang of vampires. The local sheriff (Hartnett), who has been distracted by the break up with his wife (George), must figure out how to stop them.

There is nothing romantic or noble about these blood-thirsty monsters. Humans are merely prey to them and they take great joy in playing with their food. If you’re the squeamish sort, this movie isn’t for you.

I admit to having plenty of guilty pleasures when it comes to film, and I’ve already blogged about disaster movies, ghost stories, and vampire flicks. Now I’m ready to move on to ten of my favorite films about monsters and aliens.

CREATURE FROM THE BLACK LAGOON (1954) – Directed by Jack Arnold; starring Richard Carlson, Julia Adams, Richard Denning, Ben Chapman (Creature on Land), Ricou Browning (Creature Underwater)

This classic black and white 3D film launched quite a successful horror franchise and influenced a good many directors and writers. (Proof: Guillermo del Torro won an Oscar recently for his take on a Gill-Man falling in love with a human – The Shape of Water).

Eerie and oddly romantic, this tale begins with a group of scientists in the Amazon jungle who are studying fossils when they discover something infinitely more interesting: an amphibious humanoid creature. They manage to capture the Gill-Man but he escapes, only to return soon afterwards to kidnap his obsession – Kay, the beautiful fiancée (Julia Adams) of one of the scientists.

All of the underwater scenes are impressive, sometimes even enthralling. And as is the case with these types of movies, I’m always on the side of the creature…but they usually don’t survive.

INVASION OF THE BODY SNATCHERS (1978) – Directed by Philip Kaufman; starring Donald Sutherland, Brooke Adams, Jeff Goldblum, Leonard Nimoy, Veronica Cartwright

After alien seeds from deep space find their to Earth, pods began to grow in and around San Francisco, replicating the citizens one by one – and eradicating their human emotions.

“Sleep…sleep and be born again into a world without fear and hate.” (Looking around at this planet’s happenings lately, I’m not sure I’d turn that offer down. Or…I’d at least have to think about it for a minute.)

This is a remake of the 1956 film (same title), which is based on the book by Jack Finney, titled The Body Snatchers. Okay, so the special effects are better in the 1978 version, but the main reason I end up watching this again on various weekends at midnight is because I love all the actors involved.

And now I have to mention The Invasion (2007), since it was originally meant to be another sequel to Invasion of the Body Snatchers, but the writers changed the story in significant ways. It stars Nicole Kidman and Daniel Craig and is set Washington D.C. I think this sci-fi film has been terribly underrated. If you’re a fan of the Snatchers movies, you will probably be entertained by this suspenseful version as well.   

SWAMP THING (1982) – Directed by Wes Craven; starring Ray Wise, Adrienne Barbeau, Louis Jourdan, Reggie Batts

Based on the Vertigo/DC Comics character, Swamp Thing tells the story of a brother and sister scientist team, Drs. Alec (Wise) and Linda Holland and their discovery of a plant-based serum and a hybrid plant and animal cell. After another scientist on their team is killed, government agent Alice Cable (Barbeau) arrives to investigate. She discovers a paramilitary leader, Anton Arcane (Jourdan), is out to steal the discoveries for nefarious reasons.

During an attack, Alec is covered by the explosive plant-based serum and cells and becomes a hybrid creature. Alice sets out to help Alec with the aid of a young gas station attendant named Jude (Reggie Batts – who steals the show on more than one occasion).

What a campy delight. Lots of giggles for me, but the film has heart, too.

STARMAN (1984) – Directed by John Carpenter; starring Jeff Bridges, Karen Allen, Charles Martin Smith

So…you never knew that horror icon John Carpenter had directed a sci-fi romance? I was surprised, too. And I love pretty much everything about this movie – the cast and their stellar acting (pun intended), and the oddly touching storyline. (Original screenplay by Bruce A. Evans and Raynold Gideon.)

It begins in Wisconsin with the crash of a UFO (caused by the military). Jenny, a young, grieving widow (Allen), is terrified when an alien life form invades her home and uses her late husband Scott’s DNA to create a human body – identical to his – in order to survive.

It turns out the Starman (Bridges) traveled to Earth after finding the gold record on board the Voyager 2 space probe, no doubt thinking it was an invitation. But of course, the government just wants to kill him (after studying and torturing him first). So he forces Jenny to set out on a road trip to Arizona, where he expects to be rescued at the Barringer Crater. Along the way, Jenny is amazed at the magical things the alien can do. She lets go of her fear, especially when she realizes that his human body is already dying. Thanks to an understanding SETI scientist (Smith), they have help in evading government officials and the U.S. military.

Jeff Bridges was nominated for an Oscar for his portrayal of an alien life form stuck inside a human body. No matter how many times I watch the film, I’m always impressed by his performance. (It was even sexy in a strange kind of way.) I admit the special effects don’t hold up well, but that’s the least important thing about this story.       

TREMORS (1990) – Directed by Ron Underwood; starring Kevin Bacon, Fred Ward, Finn Carter, Michael Gross, Reba McEntire

How can you resist Tremors? I’ve lost count of how many times I’ve seen this movie. Humor and horror can go together quite well. Although the film spawned a bunch of sequels, I’ve pretty much remained faithful to the first one.

It’s just another boring day in Perfection, Nevada – an isolated desert town east of the Sierras. Handymen Val (Bacon) and Earl (Ward) decide to move on to greener pastures, but as they are leaving Perfection, they come across another resident, perched atop an electrical tower. They discover he died of dehydration. When they find the head of a sheep farmer buried in the sand, they decide a serial killer must be on the loose and they head back to town to warn the remaining citizens. Too bad the construction crew they passed didn’t heed their warnings. When Val and Earl attempt to leave again, they find the road blocked by an avalanche of boulders. And the phone lines are down.

Now the fun really begins. With the help of a seismologist named Rhonda (Carter), the pair learn that at least three giant underground snake-like creatures (later named “Graboids”) have invaded the area and are responsible for all the killings. Any movement a person makes gives away their location, making escape highly difficult. And of course this makes the film more interesting to watch – how will they outwit the monsters? I particularly enjoyed any scene featuring the survivalist couple, Burt and Heather Gummer (played admirably by Gross and McEntire), who think they are prepared for any type of danger until a Graboid crashes through their basement wall.    

Even though movie critics were kind from the beginning, Tremors barely grossed more than its $11 million budget. But it has gained a strong cult following through the years, earning an 85% “fresh” rating on the website Rotten Tomatoes.     

SPECIES (1995) – Directed by Roger Donaldson; starring Natasha Henstridge, Michael Madsen, Ben Kingsley, Forest Whitaker, Alfred Molina, Marg Helgenberger

This sci-fi/horror flick was met with mixed and negative reviews, but it was still a box office success, spawning three sequels.

When SETI scientists begin receiving alien transmissions sharing knowledge of how to create an endless supply of fuel, they assume the species is peaceful. They carry out instructions on how to splice alien DNA with human DNA to create a female hybrid. (Why does anyone ever think this is a good idea?)

Sil (Henstridge) looks human, but she begins to age much more rapidly than expected. She also begins to have violent fits that scare the doctors so badly they decide to destroy her with cyanide gas. But Sil is stronger and more intelligent than they imagined and she breaks out of her containment cell and escapes. She matures rapidly and finds her way to Los Angeles, where she is driven to find a mate and create more of her own kind.     

The government assembles a team to track Sil down and kill her. It’s not as easy as they expect. I appreciate a lot of the dark humor and special effects in this film, and I think Henstridge (in her debut role) does a fabulous job of playing an alien nymphomaniac.

SLITHER (2006) – Directed by James Gunn; starring Nathan Fillion, Elizabeth Banks, Michael Rooker

Another sci-fi/horror film, and even though Slither received positive reviews, it was basically a box office bomb. But, much like Tremors, it has grown a strong cult following over the years.

A meteorite hiding an exceedingly unfriendly alien life form lands near a small town in South Carolina, and soon the parasite causes chaos by infecting the citizens, turning them into zombie-like creatures. It’s up to police chief Bill Pardy (Fillion) to come up with a plan to save humanity.  

I love Nathan Fillion in any role – especially if there’s humor involved. This felt like a tongue-in-cheek homage to several horror films of the 80s. (Although some people objected to its plot being way too similar to the 1986 film Night of the Creeps.)

COWBOYS AND ALIENS (2011) – Directed by Jon Favreau; starring Daniel Craig, Harrison Ford, Olivia Wilde, Sam Rockwell, Keith Carradine, Abigail Spencer; based on the 2006 graphic novel by Scott Mitchell Rosenberg

I think this might be the only sci-fi/western movie I’ve ever seen. I was drawn to the unusual premise, and the leading men involved.

The setting is the New Mexico territory in 1873. The town of Absolution falls under attack from alien spacecraft – and an unlikely band of citizens must join forces to rescue the kidnapped townsfolk: amnesiac outlaw Jake Lonergan (Craig), wealthy cattleman Colonel Dolarhyde (Ford) and a mysterious traveler named Ella (Wilde). 

The film received mixed reviews and was a financial disappointment at the box office. I remember some of my friends complaining that the plot and premise were too ridiculous and they didn’t like the genre mash-up, but I enjoyed the movie a great deal. I always find Daniel Craig quite appealing, and I’m still a fan of Harrison Ford. The cast and special effects are superb. I won’t give any other details away, in case any skeptics who haven’t seen it decide to check it out.      

SUPER 8 (2011) – Directed by J.J. Abrams (who also wrote the screenplay); starring Joel Courtney, Elle Fanning, Kyle Chandler, Riley Griffiths, Jack Mills, Ryan Lee

What makes me love this film enough to include it in my list of top five sci-fi/horror films of all time? Nostalgia – the warm, fuzzy kind of feeling I used to get watching a Stephen Spielberg film from the 80s, mixed with the suspense of a Stephen King novel like IT. I’m not saying it’s a flawless movie, but I was enthralled by this story from beginning to end. Many people agreed with me – the film was a box office success and was praised by critics for the acting performances, plot and special effects.  (The detractors complained that it was merely a sentimental homage to blockbusters of the past, but that’s one reason I liked it so much.)

The opening scene takes place in February of 1979 in the small town of Lillian, Ohio. Teenager Joe Lamb is mourning the loss of his mother. His father, Jack, a deputy sheriff, blames his wife’s alcoholic co-worker for the industrial accident that took her life. Neither Jack nor Joe know how to deal with their grief, which makes things uneasy between them.

That summer, Joe decides to help his friends make a Super 8 zombie movie to enter into a competition. Joe has a crush on the only female in their group, Alice – who happens to be the daughter of the co-worker his father hates. While they’re filming a pivotal scene by the railroad tracks, a truck deliberately crashes into a train, causing a derailment. Narrowly escaping with their lives, the teens flee the scene and swear not to talk about the experience with anyone else. But Joe realizes he’s seen something he can’t explain – a strange creature that may have escaped into the night. And it might have a connection to one of the unusual objects he stole from the accident site.

It’s not long before weird occurrences begin to happen all over town. The monster is revealed at a gradual, suspenseful pace. And then all hell breaks loose on the town of Lillian.

PAUL (2011) – Directed by Greg Mottola; starring Simon Pegg, Nick Frost, Seth Rogan, Jason Bateman, Sigourney Weaver, Kristen Wiig, Blythe Danner

This irreverent sci-fi comedy tickled all my funny bones. And I probably would have ignored the movie if I hadn’t noticed that Simon Pegg and Nick Frost were its stars as well as its writers. (Because Shaun of the Dead is my favorite horror-comedy film.) The movie got mixed reviews and was moderately successful in the U.S. Some critics thought it was simply a parody of other famous science fiction films. I thought it had a clever script and the cast and acting were topnotch.

British geeks Graeme (Pegg) and Clive (Frost) travel to America to attend the annual San Diego Comic Con International. After the convention, the two hit the road in a rented RV to visit the most famous UFO hot spots in the western states. While driving one night on a lonely desert highway, they witness a car crash and stop to help. That’s how they meet Paul (Seth Rogan’s sarcastic voice), an extraterrestrial on the run from the FBI.   

For the past sixty years, Paul has been held prisoner inside the top secret Area 51 military compound. Now that he’s escaped, he needs the Brits’ help in finding a mother-ship to take him home. What follows is pure craziness as the trio (who accidentally abduct a young fundamentalist woman) try to keep ahead of several determined federal agents and the fanatical father of their kidnap victim.

Who’s up for a close encounter?

Scares That Care is an all-volunteer charity founded in 2006. Net proceeds from all organization events are provided to the selected recipients. Every year, Scares That Care gives a gift of $10,000 to three individuals: a breast cancer patient, a burn victim, and a sick child.

The 2025 scheduled event, AuthorCon 5, will be held from March 28 – 30 at the DoubleTree by Hilton Hotel in Williamsburg, Virginia. Author Brian Keene will host the event.

The convention will include panels, author readings and signings. Special guests will soon be announced.

A Scares That Care film festival will also take place for the categories of Horror Short, Horror Features, Sci-Fi Short, Sci-Fi Features, Thriller Short and Thriller Features.

To register and see full details, go here.

The 50th World Fantasy Convention will be held in Niagara Falls, NY from October 17 – 20, 2024. The event will take place at the Niagara Falls Convention Center.

Programming will include the World Fantasy Awards banquet along with an art show, dealer’s room, panels/workshops and author signings and readings.

Special guests are Heather Graham, Zen Cho, Scott H. Andrews, Michael Swanwick, Galen Dara and P. Djeli Clark.

To register and see full details, go here.

Scares That Care is an all-volunteer charity founded in 2006. Net proceeds from all organization events are provided to the selected recipients. Every year, Scares That Care gives a gift of $10,000 to three individuals: a breast cancer patient, a burn victim, and a sick child.

The next scheduled event will be AuthorCon 4, which will be held from October 4 – 6, 2024 in St. Louis, Missouri at the Marriott Renaissance Airport Hotel. Author Brian Keene will host the event.

The convention will include panels, author readings and signings. Special guests will soon be announced.

A Scares That Care film festival will also take place for the categories of Horror Short, Horror Features, Sci-Fi Short, Sci-Fi Features, Thriller Short and Thriller Features.

To register and see full details, go here.

The thirty-third edition of Readercon will take place in Quincy, Massachusetts at the Boston Quincy Marriott from July 11 through 14, 2024.

The Guests of Honor will be Rebecca Roanhorse and Amal El-Mohtar. The Memorial Guest of Honor will be Naomi Mitchison.

The programming consists of panel discussions, author readings, solo talks, workshops, intimate gatherings with authors, autograph signings, and extracurricular activities, along with charity events and parties. There will also be two major genre award presentations: the Cordwainer Smith Rediscovery Award and the Shirley Jackson Awards for dark fantasy and psychological suspense.

Attendees will also have access to a large bookshop filled with new, used, rare collectible books and magazines.

To see full details of the convention and to register, go here.

Gen Con 2024 will take place from August 1 – 4 in Indianapolis, Indiana at the Indianapolis Convention Center. A downtown block of several hotels will be participating.

The Gen Con event was founded in 1968 by the co-creator of Dungeons & Dragons, Gary Gygax. It’s the largest annual convention dedicated to tabletop gaming and culture in North America (and includes card games and role-playing games).

Each year, gamers and fans come together to share their love of gaming – enjoying tournaments, trading, guest appearances, exhibit halls, workshops, seminars, a Film Festival, Author’s Avenue, Art Shows, and much more. Around 70,000 attendees are expected each year.

To register and learn the full event details, go here.

Affiliated with the Horror Writers Association, StokerCon was created to be an all-inclusive convention for authors of the horror genre. For 2024, the host city will be San Diego, California and the event will be held from May 30 through June 2 at the legendary San Diego Marriott-Mission Valley.

Guests of Honor include Jonathan Maberry, Paul Tremblay, Paula Guran, and many others. Events include book signings, author readings, panels and workshops. There will also be a Dealers Room for fans to enjoy.

The Bram Stoker Awards will be presented during the convention, taking place on the evening of Saturday, June 1. A banquet will be included before the awards ceremony.

Click here to register and see complete details.