Welcome to debbiekuhn.com

2013 WORLD HORROR CONVENTION

Feb 18 13

Who doesn’t love The Big Easy? This year I have two good reasons to visit New Orleans again, a little vacation combined with the writing business: both the World Horror Convention and the Bram Stoker Awards Weekend will take place at the Hotel Monteleone from June 13 through 16.

Visit this link for more info.

‘Laissez les bons temps rouler!” (Let the good times roll!)

Looking forward to eating beignets at the Cafe Du Monde and drinking a Hurricane or two. Hope to see you there!

 

 

 

LOST IN VENICE

Feb 8 13

I love to travel, and I’ve been fortunate enough to have seen some of the world’s most romantic places. In honor of Valentine’s Day, I’ve decided to post a free verse poem I wrote after a trip to Venice, Italy. The details are all true.

LOST IN VENICE

I quit the shady part of the Square, where the one so significant to me sits nursing his cappuccino, looking bored.
I work my way through a congealing mass of slack-eyed tourists,
Ambling forward with beer bellies and fast food thighs,
Alongside apologetic mothers towing cranky children,
Not seeing what they should want to see.

I leave them all behind, gratefully following your lithesome exuberance
over the Bridge of Sighs.

The Italian sun makes my coppery hair shine like a naughty beacon,
Should I hide beneath that blue silk scarf, or do I want you to notice me
and my thirst for spontaneous adventure?
For a breathless moment I think that you have – the way you turn your dark head,
Sultry black eyes sweeping over me like a cool breeze, unconcerned and unsurprised.
A handsome young man used to basking in constant attention.

You lure me down streets that are as charming and crooked as your smile.

Through a maze gorged with crumbling little churches,
Quiet bistros hidden by ivy, and faded brick homes
Decorated with white linens – flapping over our heads like noisy seagulls,
This is just a normal day for you, for the grey-whiskered gondolier
who glides past me in the murky canal,
He looks into my hopeful eyes and knows not to offer me a ride –
He can sense I’m on a mission and my quest is you, pretty boy.
I want to see this special place the way you see it.
I want to believe I belong here too.
That would be a gift I could never forget.

Where shall we venture next?

Lead me while I’m feeling brazen and my eagerness has no bounds.
I could saunter along in your footsteps for a decade, a not-so-secret stalker,
While you deliver candles to nuns and priests, waitresses and widows,
Who thank you so profusely, as if the wax had been dipped in gold
And you were an angel performing a sacred task.

(Pavarotti’s talents are nothing compared to your musical voice and wind-chime
laughter.)

We burrow deeper into the timeless, decaying heart of the city,
Finding a lazy bistro that smells of yeast rolls baking
You have business here, so I choose to have sweet wine and bread.
You choose to steal a soft kiss from our scarlet-lipped hostess
She thinks you taste as sinful as tiramisu or spumoni, I can tell.

Soon we are on the move again and I am distracted by a crying schoolgirl
Perched on the edge of a sagging step, looking as fragile as a china doll,
She giggles at my broken Italian and stares at my glittering Celtic cross
Until a heavy-bosomed woman in a window above us spills out a motherly command
Causing the girl to scurry inside, causing me to hurry away, eyes sad and searching,

Knowing that I’ve lost you, realizing that I’d even lost sight of myself – long before I
crossed the Bridge of Sighs.

“THE POSSESSION” – DVD REVIEW

Jan 22 13

I’ve lost count of how many horror movies I’ve seen that have tried, unsuccessfully, to imitate director William Friedkin’s “The Exorcist.”  None of them can compare, but “The Possession” comes closer in terms of quality than any other film I’ve watched in recent years. Surprising, since it’s barely ninety minutes long and has a PG-13 rating. After a visually shocking opening scene, director Ole Bornedal takes a more subtle approach, gradually building suspense and a meticulous sense of dread as the movie unfolds – proving you don’t have to include lots of CGI or bloody gore (or a jerky “Blair Witch” camera style) in order to make a story scary. Luckily for the director and the viewers, talented actors Jeffrey Dean Morgan and Kyra Sedgwick have leading roles, and newcomer Natasha Calis is quite impressive as their possessed daughter.

Calis plays Emily, a young girl upset by the divorce of her parents, Clyde (Morgan) and Stephanie (Sedgwick). Clyde tries to compensate for the separation by spoiling both his daughters during their weekend visits with him. One day he’s talked into stopping at a yard sale, and gives in when Em asks him to buy her a wooden box she can’t seem to open. Bad move. Turns out it’s a “Dybbuk Box.” But the family knows nothing about Jewish folklore, and not long after Em figures out how to open the box she is influenced by the evil spirit living inside. She begins talking to a lady who isn’t there, and soon displays signs of rage and physical abuse. Stephanie blames Clyde at first, but then (in my favorite spooky scene) she comes to realize that her daughter’s problems stem from the supernatural.

Naturally, an exorcism is the only solution – by a rabbi instead of a Catholic priest. Even with some good special effects, this Jewish exorcism isn’t nearly as intense or horrifying as the William Peter Blatty version, and the film’s ending is pretty typical. (One comes to expect this “open-endedness,” since most movie makers hope for a sequel.) Despite this, for a horror flick dealing with a tired trope, it has a classy, creepy feel to it that makes it worth viewing. “The Possession” gets three out of five “goblins” from me.

HOW I MET THE POPE LICK MONSTER-EXCERPT

Jan 6 13

Happy New Year!  My scary story collection, “The White Death and Other Ghastly Ghost Stories” is still available online at Amazon, Barnes and Noble, Kobo, etc., but I thought I’d remind people of another horror tale I’ve written (not a ghost story) that is still available in print from Shroud Magazine (Issue #9), “How I Met the Pope Lick Monster.” The link for ordering is below the following excerpt, if you would like to read the entire tale.

This story is based on a local Louisville legend that began in the 1930s, or thereabouts. It involves a “monster” that lives in the vicinity of a 100 foot tall train trestle. I decided to write my own explanation of how it came to be.

“How I Met the Pope Lick Monster”

The teenager was a petite blonde and reminded me of my younger sister, but I offered her a ride anyway. Darkness fell early at the end of November, and this evening it was being hastened by ugly clouds that spit icy raindrops over the drab landscape.

The girl jumped into my silver Mercedes and gave me a dimpled smile, her blue eyes filled with relief and gratitude.

“Thank you so much, ma’am,” she said, sounding breathless and deeply southern. “I was already getting cold.” She tossed her bright red duffel bag into the backseat of my sedan and then ran her hands through her short, damp hair.

I didn’t like being called ma’am, but I turned up the heat when I noticed she was shivering beneath her denim jacket.

“My name’s Amy. I don’t normally hitch rides with strangers – especially men – so I’m real glad you came along.”

“I’m Michelle. Was that your VW I saw broken down a little ways back?”

“Yeah. I knew it probably wouldn’t make it from Atlanta to Chicago, but I had to try. My boyfriend is working up there right now with his cousin and I wanted to surprise him for his birthday. ‘Course, now I gotta call him and ask for help.”

Amy let out an exasperated sigh as I maneuvered my car back onto I-75.

“Well, I live in Fisherville, just south of Louisville. You’re welcome to come to my house and use the phone – even spend the night if you need to.”

“Wow, you would let me do that? Really?”

I smiled at her in the dark. “Sure.”

“Jeez, I was so worried back there. I was hoping someone would stop to help, but I was scared that I’d get picked up by a serial killer.”

“Monsters are everywhere, Amy. They’re not always human either.”

I could feel the girl staring at me. “Hey, you’re not saying you’re a vampire or a werewolf, right?” She ended the question with a giggle.

“Of course not. I’m just a very open-minded science professor.”

“Whew, that’s a relief! My boyfriend is real smart, but he believes in UFOs and even Big Foot, I think.”

“And what do you believe in?”

“Um, I believe in God. And I might have seen a ghost one time. But mostly, I don’t think about that kind of stuff. These days all I can think about is Malcolm and how much I miss him. I want to marry him real bad, but my parents think I’m too young.”

“Eighteen or nineteen, I’m guessing?”

“I turned nineteen last month.”

We were both silent for a few minutes. I thought about the reluctant road trip I’d taken when I was nineteen and how it had changed my life forever.

Amy shifted sideways in the seat and stifled a yawn. “So, no offense, but how did a professor who teaches science end up believing in real monsters?”

Honestly, I thought she’d never ask. It had been a long time since I’d told anyone the absolute, unbelievable truth.

**********

Shroud Magazine #9

HAVE YOURSELF A SCARY LITTLE CHRISTMAS

Dec 22 12

Happy Holidays to you all! Like many of you, I celebrate Christmas every year, and every time I hear that Andy Williams song “It’s the Most Wonderful Time of the Year,” I always wonder about the lyrics that say, “There’ll be scary ghost stories and tales of the glories of Christmases long, long ago.” Christmas isn’t usually a time for horror tales, but there are movies and TV shows that beg to differ. I’ve decided to list five of my favorites.

“And All Through the House” – Tales From the Crypt (British TV Series/1972)

The first time I saw this old episode on late night TV, I couldn’t help but be impressed. Joan Collins plays a wife without good cheer who murders her husband with a fireplace poker on Christmas Eve. Naughty. As she’s trying to dispose of the body, an escaped homicidal maniac dressed as Santa tries to break into her house. Alas, she can’t call the police because she’s just committed a dirty deed. Love it!

“How The Ghosts Stole Christmas” – The X Files (TV Series/Season 6, Episode 6/1998)

The X Files is one of my favorite TV shows of all time. In this holiday offering, agents Mulder and Scully end up investigating a house on Christmas Eve that’s supposedly haunted by a pair of doomed lovers who killed themselves eighty-odd years before. Ed Asner and Lily Tomlin are wicked and delightful as the ghost couple, Maurice and Lyda. The two string the FBI agents along, while providing insights into Mulder and Scully’s relationship and personalities. This episode is in my top ten favorites.

Rare Exports: A Christmas Tale (Movie/2010)

This is a Finnish film, based on the premise that Santa Claus has always been evil. (Think of the early European myth of the horned Yule Goat who demanded gifts on Christmas Eve, and who worked with a sidekick called Krampus – a red demon who punished naughty children.) Trouble starts when an archaeologist digs up Santa’s old tomb. Now no one in the Finnish village is safe. This flick is a mix of horror, fantasy and comedy – definitely off-kilter.

Gremlins (Movie/1984)

Everyone is probably familiar with this flick. A salesman (Hoyt Axton) buys his son Billy (Zach Galligan) a magwai for Christmas. But the cute, furry little creatures have a very dark side, and if you feed them after midnight or get them wet, you will find out how much trouble they can be. Of course, Billy can’t follow the rules, and his town soon suffers the consequences. Phoebe Cates also stars as Billy’s girlfriend. (Her story about her dad’s gruesome death struck me as funny, though it wasn’t meant to be.)

A Christmas Carol (TV Movie/1984)

Yeah, I know. Dickens isn’t scary, really, but there are some spooky moments in the beginning, when Ebenezer Scrooge (played by George C. Scott) is visited by his late business partner, Jacob Marley. I love this movie despite the sentimentality, and this is my favorite version out of all of them. But still, I often ask myself why I let Tiny Tim gut me like a fish every December.

And there you have it. Speaking of spooky tales, if you like scary fiction, please check out my latest eBook release, available on Amazon and other online stores, called “The White Death and Other Ghastly Ghost Stories.” It definitely isn’t for kids!

For a little levity, I’ve included a “Senile Sisters-Irene & Ellie” cartoon (illustration by C.N. Pitts). Whatever event you celebrate, I hope you have a safe and happy holiday season.

senilesistersxmas

 

 

 

 

 

THE WHITE DEATH AND OTHER GHASTLY GHOST STORIES – A REVIEW

Dec 3 12

The holidays are upon us! Time for some over-indulgences. And if you get tired of sweet, sentimental holiday stories, please remember my latest eBook filled with spooky-creepy tales. (Available at Amazon, Barnes and Noble, Kobo, iBooks Store, Lulu.com, etc.)

Hungarian Writer and Reviewer Ilona Hegedus has just posted a review of “The White Death and Other Ghastly Ghost Stories.” Following is an excerpt from her blog:

“Those who like good horror fiction should certainly become familiar with Debbie Kuhn’s work, even though she writes in several genres. The White Death is a collection which includes ten dark tales and it is definitely worth reading.  Whether they are humans or ghosts, the main characters are all motivated by basic human fears and desires, and this makes it very easy for the reader to care about them. No matter how scary the story is, you will want to know what is going to happen to them.”

You can read the rest of the review here.

Thanks, y’all, for stopping by. Please remember to check back soon for another update.

 

 

 

FREE VAMPIRE STORY – ‘MOONLIGHT SONATA’

Nov 19 12

The featured free short horror story this month is “Moonlight Sonata,” which won a DemonMinds Award on that site for being readers’ Favorite Monster Tale of 2005. A love triangle that breeds obsession and betrayal is at the heart of this vampire tale. Here’s the opening scene, and if you wish to read more, simply go to the Fiction section of this website, click on Horror/Short Stories, and then “Moonlight Sonata.”

MOONLIGHT SONATA
by Debbie Kuhn

Little Havana was a lively place, even on a late Sunday evening.

Pedestrians of every imaginable race crowded the walkways and Latino music filled the air, along with the excited chatter of hagglers at the shop stands. A gentle March breeze spread the scents of spicy food, cigar smoke, and human sweat.

Victoria strolled down Calle Ocho in her clingy, white silk dress and high-heeled sandals. The night gradually became quieter and her surroundings grew more deserted.

The famous street had its lonely areas. Occasionally she would hear a dog bark – followed by its master’s sharp admonishment – and sounds from a Spanish TV show would come wafting out an open window.

The stranger mimicked her pace now, not bothering to soften his footsteps. He had been following her for several blocks.

Victoria paused casually, and then headed down a narrow alleyway. She could feel the baked-in heat radiating off the brick walls on either side of her as she sashayed along, deftly avoiding the smelly garbage that littered her path.

The man turned down the alley after her and quickened his pace. She knew he could still see her tall, slender figure clearly – thanks to the illuminating rays of the bright full moon.

He was close now, so close she could hear his erratic breathing, smell his cheap cologne.

She smiled. It would happen soon.

Victoria nonchalantly removed the white silk scarf from around her neck and let it hang by her side as she walked. Under her breath, she sang the opening lyrics to You Better Go Now, a jazzy blues ballad by Billie Holiday.

That lady had serious style.

Now.

The stranger rushed up behind Victoria and put a calloused hand over her mouth. His other hand held a switchblade to her throat.

“My pretty, blond señorita, you will like what I can do.” The man’s breath smelled like the dregs of a beer bottle that had been festering in the hot sun. “There is no need to scream.”

Victoria grabbed both his wrists and pulled them down. “I know.”

She pushed the stocky stranger back against the brick wall and spun around to face him, knocking the knife out of his hand.

He stared at her wide-eyed, his mouth opening and closing like a catfish that had been yanked out of the water.

“You crazy b-b-bitch,” he finally said, lunging past her.

She whipped her scarf around his neck and flung him backwards.

“My name is Lady Victoria.” She lifted him off the ground by his throat and pinned him to the wall. “And believe me, señor, you won’t like what I can do. You won’t like it at all.”

Victoria bared her fangs and moved in for the kill.

Terror filled every crevice of the man’s swarthy face. He let out a weak, strangled cry, his arms flailing against her, vainly trying to push her away.

Victoria wrinkled her delicate nose as a dark stain appeared on the front of his faded jeans. She set his feet back on the ground and moved behind him, gripping him around the waist, pinning his arms to his sides.

The stranger began wailing in Spanish, his voice hoarse and nearly useless.

Victoria sank her fangs into the soft part of his neck, and he struggled even more desperately, kicking her shins.

She forced him to the ground. The blood, so salty and sweet, flowed into her, warming her pale skin, her cold bones. The red nectar sharpened her senses even more – and made her loneliness melt away.

The stranger soon grew limp and quiet, but his heart still struggled. It wanted to go on beating. It wanted the body to live.

Too bad.

Victoria drained her attacker to the point of death, and then released him. She stood and adjusted her scarf before removing the little jeweled dagger from the sheath worn on her upper left thigh.

Quickly, she bent over the man and slashed his throat to hide the bite marks. It was an ugly, gaping wound. She carefully licked the blood off the razor-sharp knife blade and slipped the dagger back in its sheath.

Victoria, my darling, I have found you again. We shall see each other soon.

Damn. She’d let her guard down just long enough to feed, but it had been long enough for the Count – her sire – to succeed in invading her mind for the second time in six months.

It was awfully bloody annoying.

She sighed, and began the long walk back to her hidden Mercedes. She could have sprinted back at preternatural speed, but she was in no hurry to return to the echoey Bal Harbour mansion she now called home.

Her evenings usually began with a drive down to colorful, trendy South Beach. Seeing all those beautiful, uninhibited humans running around half-naked and half-drunk in the Art Deco District never failed to whet her appetite. Tanned skin and sparkling gems went so well together.

Even if one couldn’t worship the sun, living in a balmy climate definitely had its rewards.

An hour later, Victoria cruised past the short, fat palm trees lining Balmoral Court and eased through the wrought-iron gates of her palatial estate. She parked her convertible in the detached garage and headed over to the Mediterranean-style mansion’s rear terrace.

She picked up Rayne’s scent immediately. He was inside, waiting in the darkness.

Smart cop. She hadn’t fooled him after all.

Victoria crossed the uneven flagstones and paused in front of the stained-glass doors. How would it feel to see him again? She had to admit she was pleased at the prospect.

No, more than pleased. She was elated – despite all the trouble that lay dead ahead.

***
To read the rest of the story, go to Fiction/Horror/Short Stories/”Moonlight Sonata.”

A REVIEW OF “SKYFALL”

Nov 13 12

Minor spoilers ahead.

As far back as I can remember, there have been new Bond films premiering on the big screen every two to four years. By the time I got into my teens, it had become a tradition for me to attend the latest release with my mother. I had never read the Ian Fleming novels (still haven’t), and the movies I saw with Roger Moore, Timothy Dalton, and Pierce Brosnan, each playing that iconic role, never left me with the desire to investigate the literary side of the world’s top secret agent. Those flicks were fun (campy/cheesy), and really not meant to be taken seriously. (Yes, and all those gratuitous love scenes made me giggle – especially when the useless females would let out a breathless, “Oh, James.”) One never really got to see why Bond became a spy, or why he would be willing and able to kill people for a living.

That changed in 2006 with the release of “Casino Royale.” The franchise had gotten a much needed reboot – thankfully with writers who wanted 007 to come across as a real human being. Of course, many fans had a hissy fit when Daniel Craig was chosen to play a blond Bond. It didn’t bother me one bit. Craig is a gifted actor and, in my opinion, his looks fit the part of a hardened spy much better than the suave, nonchalant Moore, the charming, chiseled Dalton, or the flawlessly handsome, bored Brosnan.

“Skyfall” is the 23rd Bond film, and Daniel Craig shines in his third outing as Agent 007. He is joined by a stellar cast and a worthy director, Sam Mendes. We still have explosive, pulse-pounding action sequences to relish in exotic locales, along with a character-driven plot (courtesy of writers John Logan, Neal Purvis and Robert Wade).

As the new film opens, the latest mission has gone terribly awry, resulting in the exposure of several agents and a bold, unprecedented attack on MI6. Apparently, M (Dame Judi Dench) has a past and now it’s come back to haunt her with a vengeance in the form of a mysterious, diabolical villain named Silva (Academy Award winner Javier Bardem). In my opinion, there will never be another Bond Bad Guy as unusual as Bardem’s Silva. His performance has a creepiness factor nearly on par with Heath Ledger’s “Dark Knight” role. What’s even stranger is the fact that I experienced moments of sympathy for him as his agenda and the reasons behind it were revealed. Once again, it’s all about trust and betrayal.

M goes on the defense and tries to relocate the agency, but meanwhile the Chairman of the Intelligence and Security Committee, Mallory (Ralph Fiennes), steps in to cast doubt on her competence. To say that she and Bond have had “a bad day at the office” is putting it mildly. But despite everything that happens in the first ten minutes of the film, 007 stays loyal to M.  With the help of the new, young computer-whiz Q (Ben Whishaw) and field agent Eve (Naomie Harris), Bond sets out to bring down the criminal mastermind who is hell-bent on destroying them all. It’s no easy task, and that, of course, means those two hours and twenty-odd minutes simply fly by. Or at least they did for this particular fan.

What I appreciated most about the script was the fleshing out of Bond’s character. Secrets from his childhood in Scotland are exposed, thanks in part to a small but significant role played by the wonderful Albert Finney. Finally, we can see more clearly how and why Bond became Agent 007.

As for the obligatory Bond girl, the two sex scenes (not “love scenes,” since Bond refuses to fall for anyone again) included in the movie were shockingly brief. You’ll have to decide whether that’s a good thing or a bad thing. I like to think of it as progress. Also, regarding the movie’s theme song, even though I’m not much of an Adele fan (she does have a golden voice), I have to say the title tune she penned with Paul Epworth couldn’t be more classic. The haunting lyrics and sensuous melody fits the somber mood established at the end of the opening scene, and the macabre animation accompanying it is rather striking.

I must admit that “Skyfall” is my favorite Bond film to date. Some viewers probably will find fault with it, of course – especially the “purists.” An English friend of mine told me he found the sentimentality quite appalling. “But you Americans like that sort of thing, I suppose.”

Yes, actually. In small doses, especially when it’s used to show someone’s vulnerable, flawed, human side. All of us have, at one time or another, trusted someone we shouldn’t have trusted and suffered for it.

But “Skyfall” is still a Bond flick: It’s not so heavy that it brings viewers down, and it still manages to be a game changer (with a salute to the past and new blood for the future). I have no qualms about recommending it because I think the majority of fans will be satisfied – perhaps even splendidly entertained.

WORLD HORROR 2013 & ALL HALLOW’S EVE

Oct 31 12

It’s Halloween! I hope you enjoy it and you never run out of candy. (And if you live on the East Coast, I hope you stayed safe and Sandy didn’t make you suffer.)

Last night I signed up for World Horror 2013, which takes place in New Orleans next June (13-16). (I’ll be putting this on the Events Calendar soon with links.) The Bram Stoker Award Weekend will also be taking place in conjunction with World Horror – double the fun! I love that city. If I see you there, I’ll buy you a Hurricane (drink) or a plate of beignets (French doughnuts), whichever you prefer.

Also, wanted to mention again that my new eBook, “The White Death and Other Ghastly Ghost Stories” is available on Amazon and other online stores. There are eight reprints and two newer tales – ten dark stories in all for only $2.99. Check them out if you like to be scared. (See previous post for the Amazon link or click the Amazon Author icon on my front page.)

Lastly, visit the U.K. site Ginger Nuts of Horror to read their interview with Yours Truly: Five Minutes With Debbie Kuhn.

Have a safe and happy Halloween!

 

 

 

 

 

THE WHITE DEATH AND OTHER GHASTLY GHOST STORIES

Oct 19 12

The Kindle edition of my new short story collection, “The White Death and Other Ghastly Ghost Stories” is now available on Amazon. The collection includes ten dark tales (see link for story descriptions). Other versions will be available before long as well – check back here soon!

In the meantime, here’s the eBook’s Table of Contents/Story Titles:

1.   The White Death

2.   Little White Casket

3.   Ghost Writer

4.   Angeline

5.   Flower Girl

6.   What Happened in the Cellar

7.   Frankie Revetta’s Favorite Chair

8.   Red Barchetta

9.   Playground for the Dead

10. The Power of Moonlight

The cool book cover is by English artist, Danielle Tunstall. Check out her page here.