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Affiliated with the Horror Writers Association, StokerCon was created to be an all-inclusive convention for authors of the horror genre. For 2023, the host city will be Pittsburgh, Pennsylvania from June 15 through June 18 at the Sheraton Pittsburgh Hotel at Station Square.

Guests of Honor include Jewelle Gomez, Alma Katsu, Owl Goingback, Cynthia Pelayo, Wrath James White and Daniel Kraus. Events include book signings, author readings, panels and workshops. There will also be a Dealers Room for fans to enjoy.

The Bram Stoker Awards will be presented during the convention, taking place on the evening of Saturday, June 17. A banquet will be included before the awards ceremony.

Click here to register and see complete details.

And once again, the holiday season is upon us. Like many of you who celebrate Christmas, every year when I hear that Andy Williams song “It’s the Most Wonderful Time of the Year,” I always wonder about the lyrics that say, “There’ll be scary ghost stories and tales of the glories of Christmases long, long ago.” Christmas isn’t usually a time for horror tales, but there are movies and TV shows that beg to differ. I’ve decided to post an updated list of my favorites.

“And All Through the House” – Tales From the Crypt (British TV Series/1972)

The first time I saw this old episode on late night TV, I couldn’t help but be impressed. Joan Collins stars as a wife without good cheer who murders her husband with a fireplace poker on the night before Christmas. As she’s trying to dispose of the body, an escaped homicidal maniac dressed as Santa tries to break into her house. Alas, she can’t call the police because she’s just committed a dirty deed. Love it!

Black Christmas (Movie/1974)

Directed by Bob Clark and written by A. Roy Moore, this Canadian film is widely believed to be one of the earliest slasher flicks, and supposedly influenced the making of Carpenter’s Halloween.  Olivia Hussey, Margot Kidder and John Saxon have starring roles. A deranged killer hides out in the attic of a sorority house, stalking and murdering the sisters one by one. I liked this film a lot better than Silent Night, Deadly Night. 

Gremlins (Movie/1984)

Everyone is probably familiar with this flick. A salesman (Hoyt Axton) buys his son Billy (Zach Galligan) a magwai for Christmas. But the cute, furry little creatures have a very dark side, and if you feed them after midnight or get them wet, you will find out how much trouble they can be. Of course, Billy can’t follow the rules, and his town soon suffers the consequences. Phoebe Cates also stars as Billy’s girlfriend. (Her story about her dad’s odd, gruesome death struck me as funny, though it wasn’t meant to be.)

A Christmas Carol (TV Movie/1984)

Yeah, I know. Dickens isn’t scary, really, but there are some spooky moments in the beginning, when Ebenezer Scrooge (played by George C. Scott) is visited by his late business partner, Jacob Marley. I love this movie despite the sentimentality, and this is my favorite version out of all of them. But still, I often ask myself why I let Tiny Tim gut me like a fish every December.

“How The Ghosts Stole Christmas” – The X Files (TV Series/Season 6, Episode 6/1998)

The X Files is one of my favorite TV shows of all time. In this holiday offering, agents Mulder and Scully end up investigating a house on Christmas Eve that’s supposedly haunted by a pair of doomed lovers who killed themselves eighty-odd years before. Ed Asner and Lily Tomlin are wicked and delightful as the ghost couple, Maurice and Lyda. The two string the FBI agents along, while providing insights into Mulder and Scully’s relationship and personalities. This episode is in my top ten favorites.

Rare Exports: A Christmas Tale (Movie/2010)

This is a Finnish film, based on the premise that Santa Claus has always been evil. (Think of the early European myth of the horned Yule Goat who demanded gifts on Christmas Eve, and who worked with a sidekick called Krampus – a half-goat, half-demon creature who punished naughty children.) Trouble starts when an archaeologist digs up Santa’s old tomb. Now no one in the Finnish village is safe. This flick is a mix of horror, fantasy and comedy – definitely off-kilter.

Krampus (Movie/2015)

Written and directed by Michael Dougherty, this one seemed like a cross between Gremlins and the Finnish film A Christmas Tale. There was no gore to speak of, due to its PG-13 rating, but I did enjoy its dark humor.  (Especially from “Aunt Dorothy” – played by Conchata Ferrell. Toni Collette and Adam Scott also have leading roles.) When his dysfunctional family clashes over the holidays, young Max (Emjay Anthony) is disillusioned and turns his back on Christmas. Little does he know, this lack of festive spirit has unleashed the wrath of Krampus: a demonic force of ancient evil intent on punishing non-believers. All hell breaks loose as beloved holiday icons take on a monstrous life of their own, laying siege to the fractured family’s home and forcing them to fight for each other if they hope to survive. This film isn’t something I’d plan on watching every year, but it’s worth seeing at least once.

And there you have it. Speaking of the supernatural, if you like reading otherworldly tales, please check out my eBook release (a collection of previously published short fiction), available on Amazon and other online stores, called “The White Death and Other Ghastly Ghost Stories.” It definitely isn’t for kids!

Hope all of you have a safe and happy holiday season.

Scares That Care is an all-volunteer charity founded in 2006. Net proceeds from all organization events are provided to the selected recipients.

The next scheduled charity events will be the Borderlands Writers Boot Camp from March 29 – 31 2023 and AuthorCon 2, which will be held from March 31 – April 2, 2023. Both events will take place at the Doubletree Hilton Hotel in Williamsburg, Virginia.

AuthorCon 2 will include panels, author readings and signings. Special guests will include V. Castro, Armin Shimerman, Christopher Golden, Tim Lebbon, Gemma Armor, Laurel Hightower, Jonathan Janz, Cynthia Pelayo, Ronald Malfi, L. Marie Wood and others.

Borderlands Writers Boot Camp has been the premier workshop for aspiring horror writers for twenty years, with a focus on writing, editing, submitting and selling short stories. The instructors for 2023 will be Brian Keene, Mary SanGiovanni, Maurice Broaddus, Jeff Strand, Norman Prentiss and John Urbancik.

Click here for full details on both events.

Needless to say, I watch a lot of different horror films throughout the month of October. I always include a good number of the ghost story and vampire movies that I’ve listed in previous blog posts. But I also watch psychological horror, possession and classic slasher films from the 1970s.

Here are my favorites:

THE EXORCIST (1973) – Directed by William Friedkin; based on the novel by William Peter Blatty; starring Ellen Burstyn, Linda Blair, Max von Sydow, Jason Miller and Mercedes Cambridge (the voice of the demon).

Some people argue that The Exorcist is the greatest horror movie ever made, and I’m not going to disagree with that assertion. The possessed twelve-year-old, Regan, scared and repulsed me more than any other character on the big screen. (Thank heavens I first saw it on a TV screen.) I can’t recall any other movie causing me to have such traumatic nightmares. It’s worth watching for the special effects alone.

When young Regan begins acting strangely and numerous doctors can’t find anything physically wrong with her, her worried mother reaches out to a priest for help. Father Damien soon becomes convinced that the only way to help Regan is by sanctioning an exorcism. Soon, Father Merrin arrives to do battle with the demon.

And, oh, what a battle it is…

THE TEXAS CHAINSAW MASSACRE (1974) – Directed by Tobe Hooper; starring Marilyn Burns, Gunnar Hansen, Paul A. Partain

Sally and her paraplegic brother, Franklin, are worried when they hear a rumor that their grandfather’s grave has been desecrated. They head out on a road trip with three of their friends to investigate. But when they reach their family’s Texas homestead, they come to realize that Grandpa’s neighbors are insane cannibals – led by Leatherface, who wears a mask of human skin. The monsters are determined to include them all in their feast’s  main course.

Yeah…I’m wondering if I can actually claim to have watched this movie, since throughout most of its runtime I had my hands covering my face. I have to admit that extreme gore isn’t my thing, but I liked the IDEA of watching a movie this disturbing. (Seriously doubt it was based on “true events” – but you never know…)

THE REINCARNATION OF PETER PROUD (1975) – Directed by J. Lee Thompson; starring Michael Sarrazin, Jennifer O’Neill, Margot Kidder

When California college professor Peter Proud starts having dreams and flashbacks about people and places he’s never known, he begins to suspect he once lived before. He tracks down that other past from the 1940s and is led to a town in Massachusetts – and the lake where his previous self was murdered.

This movie haunted me for a while after I first saw it. I would say more, but I don’t want to give away the ending.

THE OMEN (1976) – Directed by Richard Donner; starring Gregory Peck, Lee Remick, David Warner, Harvey Spencer Stephens

Robert, an American diplomat, ends up “unofficially” adopting Damien when his wife gives birth to a stillborn infant. He keeps this secret to spare Katherine the pain. For the first few years everything is hunky-dory for the couple – they lead an idyllic life in England. But then strange, awful things begin to happen, and gradually Robert comes to realize that his son may be the Anti-Christ.

A stellar cast lured more people into cinemas to view it than were probably expected – you don’t often see lead actors like Peck doing a horror film. I love the story and the special effects are awesome.

(The creepiest kid ever… I wonder what Harvey Spencer Stephens is doing today.)

BURNT OFFERINGS (1976) – Directed by Dan Curtis; starring Oliver Reed, Karen Black, Bette Davis, Burgess Meredith

Ben and Marian Rolf decide to move into a grand Victorian summer home, where they hope to rekindle their marriage. They can’t help but wonder why the rent is so reasonable, and they soon find out that the house has a life of its own.

This is a strange movie in many ways, and I found the casting and acting to both be superb.

THE LITTLE GIRL WHO LIVES DOWN THE LANE (1976) – Directed by Nicolas Gessner (Initial Release in Sweden); starring Jodie Foster, Martin Sheen, Scott Jacoby

Thirteen-year-old Rynn Jacobs lives a quiet, reclusive life in a coastal New England town. Whenever the landlady comes calling, asking to see her father, Rynn tells the nosy woman that he’s away on business. But when the landlady’s creepy son begins to pry into her life, refusing to leave her alone, Rynn enlists the aid of her teenage neighbor, Mario, to help hide her dark secret.

Even when Jodie was a kid, she always gave an excellent performance. And Martin Sheen is fantastic in his role as the highly disturbed Frank.

AUDREY ROSE (1977) – Directed by Robert Wise; starring Anthony Hopkins, Marsha Mason, John Beck, Susan Swift

Bill and Janice Templeton lead a contented life in Manhattan with their young daughter, Ivy. But things get complicated for them when a man named Elliot Hoover shows up on their doorstep. He’s just returned from a trip to India, and he tries to convince them that Ivy is the reincarnation of his own daughter, Audrey Rose, who died several years before. Hoover’s arrival causes supernatural events to wreak havoc in their lives.

I was quite young when I first saw this movie on late-night TV, and it bothered me a great deal. I don’t think another horror movie has ever made me feel that sad.

HALLOWEEN (1978) – Directed by John Carpenter; starring Jamie Lee Curtis, Donald Pleasence, P.J. Soles, Nancy Kyes, Nick Castle, Tony Moran

On Halloween night in 1963, six-year-old Michael Myers stabs his teenage sister, Judith, to death. He is committed to an institution, and fifteen years later, on Halloween Eve, he escapes and returns to his hometown of Haddonfield, Illinois to unleash some fresh hell. I love the soundtrack, composed by director John Carpenter.

This is the movie I always save until last – it’s a tradition for me to watch it every Halloween night and recite the dialogue (“Totally…”) while I hand out candy. And no, I haven’t seen the latest reboot. I’m sure I will before long, though.

I need to add that I quite often include “Friday the 13^th” (1980), “Rosemary’s Baby” (1968), “Jaws” (1975), “A Nightmare on Elm Street” (1984) and “Halloween II” (1981) to my October movie marathon.

Hope everyone has a spooktacular Halloween!

No matter the time of year (it doesn’t have to be Halloween), I’m always up for a good ghost story (books or movies). I’ve loved them since I was a small child, when my grandmother would entertain me with “real tales” of terror during her visits.

Below is a list of my favorite ghost story films of the last century. (I’ve managed to narrow it down to thirteen, oldest to newest.)

Here they are:

THE UNINVITED (1944) – Directed by Lewis Allen; based on the 1941 novel by Dorothy Macardle; starring Ray Milland, Gail Russell, Ruth Hussey

This black and white movie was based on Dorothy Macardle’s novel, and tells the story of a composer and his sister who fall in love with a beautiful English seacoast mansion called Windward House. They soon find out why it sold for such a reasonable price: the house and the cliff side property are haunted by two entities – one benevolent, one malignant. Eventually they discover the truth about the long ago tragedy involving a love triangle that ended badly for all concerned. (But…when do love triangles ever have a happy ending?) I like the fact that there’s more than one decent plot twist in this old-fashioned story, and some genuinely eerie moments to enjoy.

THE HAUNTING (1963) – Directed by Robert Wise; based on the 1959 horror novel by Shirley Jackson; starring Julie Harris, Richard Johnson and Claire Bloom

Based on the excellent novel by Shirley Jackson – The Haunting of Hill House – this creepy black and white film is about a team of paranormal investigators who decide to “conquer” Hill House, infamous for its lurid past of violent deaths and insanity. Unlike the book, which Jackson considered to be purely supernatural, the screenwriter decided to also turn it into a psychological horror flick, playing up the vulnerable female character’s mental instability.  Needless to say, all hell breaks loose on the team and the consequences are disastrous.

THE SHINING (1980) – Directed by Stanley Kubrick; based on the 1977 horror novel by Stephen King; starring Jack Nicholson, Shelley Duvall, Scatman Crothers

Stephen King made it known that he hated this movie version, unfaithful to his novel of the same name, and he eventually had it turned into a TV mini-series (1997), which he approved. He thought Jack’s performance was over the top, and he disliked Shelley’s wimpish portrayal of her character. Oh, well. It’s scary fun, in my opinion (although I also liked the TV version). You probably already know this story well: A couple, John (“Jack”) and Wendy Torrance, and their young, psychic son, move to an isolated hotel (The Overlook) in the Rockies, where they must spend the entire winter. The alcoholic dad has the job of caretaker, and he soon falls under the influence of the evil entities haunting the huge place. I love the twin girls – and the “lady” in the tub. The scene where the young, psychic Danny encounters her in Room 217 gives me chills to this day.

THE CHANGELING (1980) – Directed by Peter Medak; starring George C. Scott, Melvyn Douglas, Trish Van Devere

Classical composer John Russell relocates from NYC to Seattle, trying to get over the sudden death of his wife and young daughter in a car accident. His new friend, Claire, talks him into renting a monstrously huge mansion, and it doesn’t take long for John to realize he’s not alone in the house. To quote writer M.R. James, I felt “pleasantly uncomfortable” pretty much all the way through this film. I also felt moved to tears on occasion, not just from the grief displayed by John due to the loss of his family, but by the terrible secret he uncovers about the child entity that haunts the mansion. Spooky stuff. (Incidentally, the screenplay is based upon events that writer Russell Hunter claimed he experienced while he was living in the Henry Treat Rogers mansion in the Cheesman Park neighborhood of Denver, Colorado in the late 1960s.)

GHOST STORY (1981) – Directed by John Irvin; based on the 1979 horror novel by Peter Straub; starring Fred Astaire, John Houseman, Douglas Fairbanks, Jr., Melvyn Douglas, Alice Krige

Four elderly, successful gentlemen (Ricky, Ed, John, Sears) have a private club they call “The Chowder Society” – they meet every week to tell horror stories. For fifty years, they’ve also shared a horrible secret. When they were young, they were all in love with a beautiful, mysterious woman named Alma. A tragedy unfolded, and now they must pay the price. Alma: “I will show you things you’ve never seen, take you places you’ve never been. And I will see the life run out of you.”

POLTERGEIST (1982) – Directed by Tobe Hooper and written by Steven Spielberg; starring Craig T. Nelson, JoBeth Williams, Heather O’Rourke

I never get tired of this one. A subdivision was built over top of a cemetery, and the unscrupulous businessmen didn’t bother to move the bodies. Tsk, tsk. The Freelings must be punished first, apparently, and things really get serious when their young daughter is “ghost-napped.” Good scares (I really hate clowns), and I also appreciate the humor throughout the flick. “They’re heeeee-re.”

LADY IN WHITE (1988) – Directed and written by Frank LaLoggia; starring Lukas Haas, Len Cariou, Alex Rocco, Katherine Helmond

The first time I watched this movie, I was haunted by it for days afterward. Horror writer Frank Scarlatti returns to his hometown and remembers the extraordinary events that occurred when he was nine years old in the fall of 1962. It all starts when Frankie is locked in his school’s cloakroom after hours on Halloween night by bullies. He sees the apparition of a little red-haired girl as she’s attacked. Later that night, the masked man who attacked her shows up looking for something in the cloakroom and tries to get rid of Frankie by choking him, but he’s interrupted and flees. The janitor is wrongfully accused. Frankie soon learns there have been eleven children attacked in the area by a mysterious killer. The little red-haired girl, Melissa Montgomery, was the first, and her grief-stricken mother (the Lady in White) jumped off the cliff where her body was found. Frankie knows the spirit of Melissa will lead him to the truth.

THE OTHERS (2001) – Directed by Alejandro Amenabar; based on the 1898 horror novella by Henry James; starring Nicole Kidman, Chris Eccleston, Fionnula Flanagan

Inspired by Henry James’ novella, The Turn of the Screw, this movie entertained me all the way through and was genuinely creepy and intriguing. A devout Catholic woman, Grace, lives with her two young children on an isolated estate located on the Isle of Jersey. WWII has just ended and Grace is waiting on the return of her husband, Charles. She’s under a lot of stress – she’s lonely and must take care of her son Nick and her daughter Anna, who are both severely allergic to the sun. With the arrival of three servants (Bertha, Ed and Lydia), she thinks things will get better, but mysterious things begin to happen right away. Grace thinks the house is haunted, or perhaps she is going insane. I definitely won’t give away the big twist at the end.

THE GRUDGE (2004) – Directed by Takashi Shimizu; starring Sarah Michelle Gellar, Jason Behr, Will Mapother, Bill Pullman

This movie is a remake of the Japanese film, Ju-On, which is also worth seeing. Until this flick was released, I hadn’t seen a lot of Japanese-inspired horror. I was completely creeped out by the look and feel of the ghosts and the jerky camera-work. Lots of eerie moments and there were many scenes that had me jumping in my seat. Set in Tokyo, the story is about an exchange student named Karen who is studying to be a social worker. She offers to take over for a nurse who didn’t show up for work, and proceeds to care for an elderly woman in a house that turns out to be haunted. And wow – is it ever haunted! (What did I say earlier about love triangles and tragedy and revenge?) In this case, the grudge is also a curse that passes on to different people. I enjoyed it – and not just because I have a girlie crush on Sarah Michelle Gellar.

THE MARSH (2006) – Directed by Jordan Barker; starring Gabrielle Anwar, Forest Whitaker

Claire Holloway is a stressed out children’s writer who’s afraid she’s about to have a mental breakdown. She decides to take a vacation in the country, and when she notices an ad for Rose Marsh Farm, which strongly resembles the place she’s been seeing in her nightmares, she feels compelled to visit the property. Claire almost immediately senses something amiss with the old house, and when she begins seeing the troubled spirits of a little girl and a teenage boy around the nearby marsh, she contacts a paranormal expert to help her solve the mystery.

THE ORPHANAGE (2007 – Spanish, with English subtitles) – Directed by J.A. Bayona; starring Belen Rueda, Fernando Cayo, Roger Princep

Made in Spain (El Orfanato), this movie not only creeped me out, the ending moved me to tears. It was so much better than I was expecting, mixing chills with a compelling plot. Laura, a former orphan, buys the old orphanage where she once lived for a while as a child, planning to turn it into a facility for disabled kids. She brings her husband and young adopted son, Simon, there, and soon Simon tells her he has made friends with the spirits of five children who are trapped there. The ghost children tell Simon that he is adopted and that he will die soon. Not long after that, Simon disappears. Laura is determined to find her son and unravel the terrible secret that has been hidden at the orphanage for thirty years.

INSIDIOUS (2011) – Directed by James Wan; starring Patrick Wilson, Rose Byrne, Barbara Hershey, Lin Shaye, Ty Simpkins

I was a little upset by the ending when I first saw this movie, since I didn’t realize James Wan planned to continue the story with several sequels. I liked the original anyway, however, since it had many spooky moments that made me squirm in my seat. Renai and Josh Lambert move into their dream house with their sons, Dalton and Foster, and their baby daughter. One morning they find Dalton in a comatose state, and realize he’s become a vessel for the ghosts who reside in an astral dimension. Apparently, Dalton has inherited his father’s ability to astral project during sleep. Only this time, the boy has become stranded in the astral plane known as “The Further.” Dalton is guarded by a red-faced demon, and many other tormented souls who are determined to escape – including the “shadow woman” who once haunted his father.

THE WOMAN IN BLACK (2012) – directed by James Watkins; based on the 1983 Gothic novel by Susan Hill; starring Daniel Radcliffe, Ciarán Hinds

Arthur Kipps (Radcliffe) is a widowed barrister striving to make ends meet and raise his young son. Still grieving the loss of his wife, he agrees to leave London and travel to a remote village to put a recently deceased client’s affairs in order. Her estate is located on a small island and Kipps must travel to and from the village, on occasion being cut off by the rising tides and left alone and isolated.

Strange tragedies begin to occur, and it becomes clear that everyone is hiding a terrible secret from him. Kipps is told that the client’s decaying mansion is haunted by the spirit of a woman who suffered a great loss and betrayal – and no one, not even the children, will escape her wrath.

Many goosebump-inducing moments. This one would make my Top 5 favorites list. And so would the book.

This year’s World Fantasy Convention will take place in New Orleans, Louisiana from November 3 through November 6 at the Hyatt Regency (601 Loyola Avenue). The Awards Banquet will take place on Saturday evening, November 5.

The annual gathering is a reunion of professionals, collectors and others who are interested in the field of light and dark fantasy art and literature, with a dealers room, art show, book signings and panels.

Special guests will include Victor LaValle, Ginjer Buchanan, Jo Walton, Iris Compiet, Caitlin R. Kiernam, Andrei Codrescu, Ursula Vernon, Brandon O’Brien and Nisi Shawl.

Please click here to register and see full details.

The largest American convention for mystery/crime fiction will be held in Minneapolis, Minnesota this year from September 8 through 11. The event will take place at the Hilton Minneapolis at 1001 Marquette Ave South.

Join authors, fans, publishers/booksellers, editors and reviewers at the 2022 World Mystery Convention. (Vaccination Cards or a negative COVID test result are required for admittance this year. There will be no refunds for registrations canceled after July 1, 2022.)

The Bouchercon Guests of Honor will be Lou Berney, SA Cosby, Ellen Hart, William Kent Krueger, Attica Locke, Jess Lourey, Jo Nesbo, Lori Rader-Day and Alexander McCall Smith. There will be book signings, readings, panels and a special auction, both live and silent (proceeds go to a worthy charity chosen by the Bouchercon Committee).

To register and find out more information, click here.

The GenCon convention is the largest gaming culture event in North America and takes place every summer in Indianapolis at the Indiana Convention Center. This year GenCon will be held from August 4 through the 7 and will bring hundreds of publishers, artists, vendors and gaming enthusiasts together. For programming details, hotel information and to register for the convention, please check out their website here.

StokerCon 2022 will take place in Denver, Colorado on May 12 through May 15 at The Curtis Denver (a DoubleTree by Hilton Hotel). This will be an in-person event and proof of COVID-19 vaccinations are required.

Expansive programming has been scheduled, including instructive panels, author readings and signings, one-on-one pitch sessions with editors and agents. There will also be a Dealers Room, the Final Frame Film Competition and the Bram Stoker Banquet and Awards Presentation.

Guest of Honor include Linda D. Addison, Kevin Wetmore, Ernest Dickerson, Gemma Files, Brian Keene, Jennifer McMahon, John Edward Lawson, Sheree Renee Thomas, and more.

Please click here to visit the website for more details and to purchase your tickets.

You would think perhaps I’d prefer to watch zombie flicks and post-apocalyptic movies during this COVID-19 world pandemic, but no – I need a different sort of escapism to deal with the isolation of the shelter-at-home mandate. What follows is my list of 13 vampire films I highly recommend (even during normal times).

LET’S SCARE JESSICA TO DEATH (1971) – Directed by John D. Hancock (shares writing credit with Lee Kalcheim); starring Zohra Lampert, Barton Heyman, Mariclare Costello

Jessica (Zohra Lampert) has recently been released from a mental institution after suffering a nervous breakdown, and her husband decides she needs a change of scenery away from the hectic city. They move to a supposedly haunted country farmhouse near a remote little town, and right away Jess notices odd things about the locals, and begins to experience unusual encounters. Is it all in her mind?

At first, this movie appears to mix genres and has a surreal feel. I enjoyed the eerie moments. Viewers have to decide for themselves if Jessica lost her grip on her sanity once again, or if the monsters were real.

DRACULA (1979) – Directed by John Badham; starring Frank Langella, Sir Laurence Olivier, Donald Pleasence, Kate Nelligan

This version differs greatly from Bram Stoker’s novel. It’s 1913, and an ailing Mina Van Helsing witnesses a shipwreck off the English coast. She finds a lone survivor washed up on the shore and he is none other than Count Dracula of Transylvania, come to take possession of Carfax Manor. Soon, Mina succumbs to her illness, but with other strange symptoms. Her best friend Lucy (Kate Nelligan) is distraught and notifies Mina’s father, Professor Abraham Van Helsing (Olivier), who rushes to England. In the meantime, Lucy begins to fall under the spell of the enigmatic Count.

I would say Frank Langella is one of my favorite actors to play Dracula on the big screen. He first appears on the scene like a rock star, with charm and swagger – sensual and sinister at the same time. The ending of the film is different in this version as well. It made me hope that the Count could have survived after all.

THE HUNGER (1983) – Directed by Tony Scott; starring Catherine Deneuve, David Bowie, Susan Sarandon

This erotic horror film involves a love triangle and immortality – with a catch. John (Bowie) is the long-time lover of the beautiful vampire Miriam (Deneuve), his sire. He believes he’ll also live forever, but Miriam has kept the truth hidden. Her “offspring” will never share all of her gifts – and what awaits them is a fate worse than death. John begins to deteriorate and becomes desperate when Miriam seeks out a new companion. She finds Sarah (Sarandon), who becomes quite unhappy when she discovers the plans that Miriam has for her.

This unconventional vampire movie was panned by critics and stalled at the box office. I like it anyway, perhaps because I always believed that David Bowie could do no wrong. I also enjoyed the soundtrack quite a bit.

FRIGHT NIGHT (1985) – Directed by Tom Holland; starring William Ragsdale, Chris Sarandon, Roddy McDowall, Amanda Bearse

Don’t judge me, but I still love this movie – and for a moment I was offended when I heard they were filming a remake (I changed my mind about that – see below).

In the beginning, Charley Brewster (Ragsdale) is a horror-loving teen whose greatest concern is getting his skittish girlfriend (Bearse) to go all the way. But then he discovers that Jerry Dandridge – the handsome new neighbor who’s charmed his mother – is actually a murderous vampire (Sarandon – wasn’t he married to Susan at some point?). When his mother and his friends refuse to believe him, he tries to enlist the aid of TV’s Fright Night host and former “vampire hunter” Peter Vincent (McDowall). Of course, Vincent is also disinclined to believe Charley’s claims, and the teen realizes it’s all up to him to stop Dandridge.

The humor, the plot and the excellent cast are what make this movie fun for me. (The Evil Ed character is a fave, played with glee by Stephen Geoffreys.)

NEAR DARK (1987) – Directed by Kathryn Bigelow; starring Adrian Pasdar, Jenny Wright, Lance Henriksen, Bill Paxton

When he falls in love with a pretty girl he meets at a bar, happy-go-lucky cowboy Caleb Colton (Pasdar) complicates his life in an unexpected way. Mae turns out to be a vampire looking for a forever companion, and she wastes no time putting the bite on Caleb. He realizes that to keep his family safe from his blood cravings, he has no choice but to join his girlfriend’s wandering band of vampires – who wreak havoc wherever they go.

I never get tired of watching this flick either. It’s worth seeing just for Bill Paxton’s performance as the evil, batshit crazy Severen.

THE LOST BOYS (1987) – Directed by Joel Schumacher; starring Jason Patric, Keifer Sutherland, Corey Haim, Corey Feldman, Jami Gertz, Dianne Wiest

After their parents are divorced, teens Michael (Patric) and Sam (Haim) move with their mother to Santa Carla, California. Michael soon falls for a beautiful, mysterious local girl named Star (Gertz), who has a dark secret, and Sam befriends the Frogs, a pair of comic-book nerds who claim their town is infested with vampires. Things get crazy when Michael goes head to head with a gang of vampires led by David (Sutherland), who has Star in bloodthirsty transition and under his thrall. Michael has to rely on Sam and the Frog Brothers to rescue both him and his girlfriend.

This flick is on my list of Top Five favorite vampire movies. It’s another one I never get tired of seeing. (And yeah, I’ll admit – I still listen to the soundtrack these days.)

BRAM STOKER’S DRACULA (1992) – Directed by Francis Ford Coppola; starring Winona Ryder, Gary Oldman, Anthony Hopkins, Keanu Reeves

Coppola’s blood-soaked vision of a gothic romance, this version is sensuous, surreal at times, and blessed with the uniquely dichotomous performance of Gary Oldman as Vlad the Impaler. (Depending on the scene, Oldman is either sexy or repulsive.)

The setting and time period is in line with Stoker’s novel. Vlad is a 15^th century Transylvanian prince who, having lost his lovely young wife to suicide, has been cursed to live forever off the blood of humans due to his loss of faith. Jonathan Harker (Reeves) is a lawyer from London who is sent to Dracula’s remote castle to handle a real estate transaction. When the Count happens to see a photo of Harker’s fiancée, Mina Murray (Ryder) – who is the spitting image of his late wife – he imprisons Harker and sets off to England to find Mina, who he believes is the reincarnation of his lost love.

In London, we are introduced to vampire hunter Abraham Van Helsing (Hopkins), who is quite delightful. (Thank goodness he was around to lighten the mood with the film’s only intentionally humorous scenes.) And of course, Mina’s best friend, Lucy (Sadie Frost), is on hand to give an over the top performance that I rather enjoyed.

I’m still not sure how I feel about the ending. I think I would have preferred a more traditional one, to be honest, but I knew going in that this movie would be anything but conventional.

INTERVIEW WITH A VAMPIRE (1994) – Directed by Neil Jordan; starring Brad Pitt, Tom Cruise, Kirsten Dunst, Antonio Banderas, Christian Slater

Based upon the novel by Anne Rice, who also wrote the screenplay, this gothic horror tale centers on two eighteenth century vampires, Louis de Pointe du Lac (Pitt) and his sire, Lestat de Lioncourt (Cruise). It begins in present day San Francisco with a melancholy Louis pouring his heart out to a reporter (Slater), recounting the story of his life, death and rebirth – and all the guilt and betrayals that followed.

Anne Rice fans (including me) had high expectations about this film. When it was announced that Tom Cruise had accepted the role of the blond “Brat Prince” Lestat, Anne and the majority of her readers (including me) were greatly disappointed and loudly voiced their displeasure. But when the movie was released, even the author admitted she had been wrong. Cruise did the part justice.

And wow – child actress Kirsten Dunst nailed the character of Claudia and stole nearly every scene she was in.

It’s not perfect, but I believe the film does the book justice as well – being sensual, mesmerizing, darkly humorous and frightening.

BLADE (1998) – Directed by Stephen Norrington; starring Wesley Snipes, Stephen Dorff, Kris Kristopherson

I suppose you could call this a superhero horror film. It’s based on the Marvel Comics of the same name, which I have never read. The plot captured my interest right away. Blade, played by Snipes, is half-human and half-vampire, having a vampire’s strengths without any of their weaknesses. His mother was attacked by a vampire while she was pregnant with him, and Blade is out to avenge her death and rid the world of evil vamps – aided by his mentor Abraham Whistler (Kristopherson). In the meantime, one of the evil vamps, Deacon Frost, has a plan to bring about the Blood Tide – a ritual that will turn every human into a vampire.

This is one of those flicks I can’t resist watching whenever I find it on a cable channel.

LET THE RIGHT ONE IN (2008) – Directed by Tomas Alfredson; starring Kåre Hedebrant, Lina Leandersson

Also on my Top Five favorites list, this Swedish horror film (with English subtitles) is unique and far superior to the American remake. Details about this character-driven story lingered on my mind for days.

Based on the novel by John Ajvide Lindqvist, who also wrote the screenplay, the movie held my interest from the start. Twelve-year-old Oskar feels neglected by his mother and is bullied at school. When a girl his age moves into his apartment building, who also seems to be a misfit, they quickly strike up a friendship. But her appearance in his town coincides with a series of grisly murders in the area, and Oskar comes to realize that Eli is no ordinary girl. She confesses, “I’ve been twelve for a very long time.”

FRIGHT NIGHT (Remake, 2011) – Directed by Craig Gillespie; starring Anton Yelchin, Colin Farrell, David Tennant, Toni Collette, Imogen Poots

I wasn’t impressed with the idea of a remake, and the only reason I went to see the movie was to see David Tennant on the big screen (he had recently given up his role as the tenth Doctor Who, and I already missed him). I didn’t think Colin Farrell was a good casting choice, either, but I changed my mind about that. Farrell proved to be charismatic, oozing a menacing sort of sex appeal. (And I loved the cameo by Chris Sarandon – the original Jerry Dandridge.)

Anton Yelchin is excellent and adorable as Charley Brewster (but not as adorable as he is playing Chekov in the new Star Trek franchise). I still can’t believe a freak accident took him away from us at such a young age.

And Tennant didn’t disappoint me in his role as Peter Vincent. A little over the top at times, but the movie didn’t suffer for it. Besides, the remake is set in Sin City. Everything is over the top in Las Vegas.

I thought the screenwriter, Marti Noxon of Buffy the Vampire Slayer fame, did an awesome job of blending the old version with the new.

ONLY LOVERS LEFT ALIVE (2013) – Directed by Jim Jarmusch; starring Tom Hiddleston, Tilda Swinton, Mia Wasikowska, Anton Yelchin

As it begins, Adam and Eve (Hiddleston and Swinton) – two vampires who’ve been married for centuries – are now living on opposite sides of the planet. Adam, who lives in a Victorian home in Detroit, is a famous musician who fears exposure and is becoming more and more reclusive. Eve is hanging out in Tangier. They both fear contaminated human blood in the twenty-first century, and so must rely on other ways to obtain their food.

Adam becomes so despondent that he contemplates suicide, and has his devoted fan, Ian (Yelchin), procure a wooden bullet for him. When Eve realizes how depressed he’s become, she comes to Detroit to comfort him, and they resume their relationship. But the unexpected arrival of Eve’s younger, out-of-control sister Ava (Wasikowska) causes their lives to become far more  dangerously complicated.

A little artsy and off-beat, I enjoyed it because it was much different than I expected – and I’m a huge Hiddleston fan (Team Loki!).

30 DAYS OF NIGHT (2007) – Directed by David Slade; starring Josh Hartnett, Melissa George, Danny Huston, Ben Foster

Based on the horror comic book miniseries by Steve Niles, this vampire flick has a clever premise and is quite suspenseful. I can’t say if it stays faithful to Niles’ series, not having read those three issues, but I enjoyed the hell out of it.

As Barrow, Alaska enters into a 30-day long polar night, the town is besieged by a nomadic gang of vampires. The local sheriff (Hartnett), who has been distracted by the break up with his wife (George), must figure out how to stop them.

There is nothing romantic or noble about these blood-thirsty monsters. Humans are merely prey to them and they take great joy in playing with their food. If you’re the squeamish sort, this movie isn’t for you.